At times even the audience believes as the woman does. At other times doubt intrudes. This is where Suspicion shines as especially deft and adroit, and loyal also to Hitchcock precedent for keeping both characters and spectators guessing.

Suspicion is good Alfred Hitchcock-up to the last few minutes. In those final minutes the picture falls apart at the seams.

Alfred Hitchcock's trademarked cinematic development of suspenseful drama, through mental emotions of the story principals, is vividly displayed in Suspicion.

Smooth and suspenseful, it’s a handsome and elegant romantic thriller and Hitchcock creates suspense from simple sequences with ominous angles and lighting.