Conventional but fairly solid adaptation of the King Arthur legend… benefits from its colorful pageantry and strongly Christian milieu, including a royal Catholic wedding and a transcendent moment of revelation involving the Holy Grail.

Knights of the Round Table is more notable for its place in film history as MGM’s first CinemaScope production than for its storytelling or dramatic impact.

I’ve seen surfboards with more flexibility than Robert Taylor and Mel Ferrer, and the leaden dialogue only accentuates their immobility.

The stilted, uptight vibe of the film is pretty much just standard operating procedure for movies of this type and this era.