There are better guides to the subject than Gaylor, who discusses everything from Napster to pharmaceutical patents without ever varying his dated we-the-people rhetoric.

A forceful, vibrant and immensely entertaining call to action.

A half-baked, poorly argued assault on the very notion of the sanctity of intellectual property posing as cutting-edge cinema.

Rip is a dazzling frontal assault on how corporate culture is using copyright law to muzzle freedom of expression.