Henry’s and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.
“Ned Rifle serves as a satisfying conclusion to Hal Hartley's "Henry Fool" trilogy - and one of the strongest late-period works from a distinguished filmography.”
Seemingly everyone here, viewer included, is on a Fool's errand in trying to pin down the ever-fugitive Henry... which makes this most elusive of characters a perfect figure for a trilogy whose own significance is difficult to capture.
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Matthew Lickona
RTSan Diego ReaderApr 10, 2015
Hartley is at his Hartleyest here, meaning, among other things, that a fair chunk of the dialogue sounds like a pronouncement, aimed as much at the viewer as it is at another character.
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Ty Burr
RTBoston GlobeApr 9, 2015
At its worst, "Ned Rifle" is a self-involved movie about self-involved people. When it clicks, though, we're in a pared-down moral universe that carries unsettling echoes of our own.
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Nick Newman
RTThe Film StageFeb 23, 2016
Ned Rifle finds a comfortable place between Henry Fool's low-key sensibilities and Fay Grim's conspiratorial plotting.