“Mabel” (Gena Rowlands) and husband “Nick” (Peter Falk) are happily enough married. He leads a construction team whilst she tries to cope with their three children. “Mabel” definitely burns the candle at both ends. She wishes to come across as a loving mother and wife whilst presenting a life and soul of the party image designed to ensure that all around her are happy. “Nick” knows, however, that many of their friends think her enthusiasm is symptomatic of something more sinister and that just perhaps she might be losing her grip. Gradually, both her husband and this film’s audience start to realise that “Mabel” is on the precipice of something traumatic, and that something will have to be done - a decision that is hastened by an example of recklessness that “Nick” knows he cannot afford to ignore. His solution may well help his wife to get proper medical assessment, diagnosis and to hopefully recover - but it also leaves him trying to juggle his business responsibilities as well as looking after three stroppy and independently-minded youngsters. With his own stress levels increasing and the return of his wife soon looming, the atmosphere reaches a crescendo of temperamental toxicity that involves family and friends alike. The casting of both Rowlands and Falk is inspired, here, She turns in as visceral a performance as you’re ever likely see as she treads an increasingly blurr…

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