As with most of Noé's films, Enter the Void is a bright, bratty middle finger, making it the perfect setting for a natural-born provocatrice such as de la Huerta.

It's a form of atheistic spiritualism that Noé treats as sci-fi, like a drug-fueled melodrama as told by 2001's star child.

Enter The Void is ridiculous, funny, shocking and crazy - but it's also utterly seductive.

…a phantasmagoria of drugged-up weirdness is something of an acquired taste, but its also ambitious, original and visually stunning…Gaspar Noe’s no-hold-barred POV approach certainly delivers a shock to the system for unwary viewers…