By placing race on the back burner, Everything, Everything isn't perpetuating the idea that love conquers all. Instead, love can be a catalyst for personal enlightenment.

Tepid melodrama.

Everything, Everything isn't without intelligence or charm, but just because a film is set in a sanitised environment doesn't mean that it should look or feel as antiseptically, oppressively pastel as this.

Pretty predictable as Maddy is willing to risk it all to experience life and be with Olly. A horrifying twist in the third act turns the film dark and the issues it raises are never addressed. The story pretty much falls apart at that point.