Pride is many things, but this year it’s mostly the cut of Brad Davis’s muscle shirt cradling his cleavage like no piece of cloth has this side of Marlon Brando’s Stanley Kowalski.

A work of bold artistic self-renewal.

It is far from perfect, but a rewarding experience nonetheless - amd a much better film than the derivative "Lola" and the convoluted "Veronika Voss" that preceded it. It is destined to become a cult classic.

Compared to more recent queer films, like João Pedro Rodrigues' O Fantasma or Alain Guiraudie's 2014 Stranger by the Lake, it isn't especially explicit, but in every other way, it's among the most deliriously homoerotic films ever made.