Dugan, who's heavily into the music biz, is against commercials on commercial radio (but since QSKY pumps out an endless stream of Ronstadt, the Eagles and Queen, wouldn't a few mindless jingles go unnoticed?)

A preposterously self-serving variation on 1960's themes.

It gets the standard rock-movie formula backwards by trying to base a revolution around some of the safest, least revolutionary music in the history of rock.

The "us against the establishment" plotline is hoary and silly, and the movie fares better when it focuses on specific character incidents rather than any greater themes.