The third installment of Penelope Spheeris's documentary series on subversive musical movements, released in 1998, is by far the darkest.

A culmination of her achievement in the trilogy, which chronicles a scene with visceral skill, and often with an anthropologist's detachment. Yet you can only detach for so long.

Before Quentin Tarantino popularized the practice, Araki was a master of curating tracks.

If 'Kids' was a little too uplifting for your taste, then this is the documentary for you.