There's a claustrophobic comfort to it... Yet there is space for silence and reflection, and many shots are quietly beautiful - until a Rush song blares, puncturing the meditative mood.

Peter Dinklage and Elle Fanning bravely face the end of the world, but they can't overcome a barrage of clichés in a plot that ties up loose ends without a single surprise or a scintilla of genuine emotion.

A story that grows frustratingly conventional.

Makowsky’s script deftly explores the unique ways the lingering trauma of survivor’s guilt effects individuals and the way leaders would try to move convince the remaining population to move on without fully processing it.