At this point it feels as though Hong can create a lovely composition or reach psychological insights offhandedly-the films successfully translate his carefree filmmaking process into narrative form.

"Grass," true to its title, is small, sharp and bladelike.

One of the best expressions/variations on Hong's usual formula.

Although I recognize that there is a certain intimacy and poetic lightness in his story, I'm not so moved by the argument about the link of human expertise. [Full review in Spanish]