Probably the most psychoanalytically oriented of his features, and because it's Lang, the murkiness is mainly a strength.

Sloppy effort from Lang late in his career.

Mr. Lang is still a director who knows how to turn the obvious, such as locked doors and silent chambers and roving spotlights, into strangely tingling stuff.

A psychological thriller with gothic and Freudian undertones by Lang that rewrites the Bluebeard story through a somber atmosphere, but whose narrative, unfortunately, is uneven and lacks the necessary intrigue. [Full review in Spanish]