Director and co-scripter Elio Petri adds plenty of cheeky humor and pointed criticisms of capitalism in this playful film.

This distinctive and perspicacious film boasts fab mod, pop-art photography by Gianni Di Venanzo and a groovy ‘60s score by Piero Piccioni. The film’s look exists more in a post-Bond era milieu melded with Ancient Rome.

In a good fantasy like The 10th Victim every piece of architecture, furniture,clothing contributes to a coherent, witty vision of the world as it might be.

The 10th Victim is plagued with a dialogue that pretends to be ironic and it's nothing more than pathetic. [Full Review in Spanish]