The final (for now) "DragonHeart" installment comes together in the end by consolidating several strands of tension generated by the inherent risk of dragons and humans teaming up in the first place.

So-so fantasy sequel has violence and peril.

**A "Dragonheart" lady in support of gender equality, in a film that is again as bad as the worst in the franchise.** After more than a handful of films, the “Dragonheart” franchise, which was carried in the arms of producer Rafaella de Laurentiis, has yet another launch: I hope it will be the last. In fact, despite the quality and magic of the first film, none of the releases that followed could even match the original. For this reason, the majority did not even go through the movie theater, going directly to DVD and other similar media. This movie doesn't even make an effort. If the previous movie was decent enough to be worth a visit, this movie has so many weaknesses in the script that I can't really recommend it: the events occur at the same time as the first movie, but it feels like they are happening in another place, and report the quest for revenge of a young man whose family was killed in a car accident... wait! Wagon accident! As if the traffic was so much, at that time, and the trips so ordinary, that there could be the chance of something like that actually happening! It's preposterous, to say the least. Obviously, the young man casually learns that there is a dragon, and goes to him in hopes of convincing him to solve his problems. Simple! The dragon, in this case a female, obviously doesn't accept it, causing the kid to throw a tantrum. Meanwhile, there's a wa…

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