Neither good enough to impress as a meta mashup of horror and comedy, nor bad enough to hoot and throw popcorn at, it slides into a gray area of unfocused ideas and unrealized potential.

It breaks the mold and burns the roadmap, fearlessly pushing boundaries and going into nonsensical corners most films and filmmakers wouldn't even dare of traipsing through.

There will be young moviegoers who proclaim this genius, and more stodgy audience members who find it torturous. If you're not tweeting and texting a combined 50 times or more per day, you're probably in the latter camp.

Somehow manages to be both obnoxious and abrasive, yet in an endearing way that feels like we're being introduced to an entirely new generation of filmmaker, thanks to its frenzied and frenetic execution.