The remarkably luscious and mobile cinematography (for which cameraman Edgar Brazil had to build special equipment) alone makes it well worth seeing.

Limite is feverishly beautiful and desperately ambitious, even when it isn't clear.

Mário Peixoto's eerie and experimental silent movie was long thought lost, but a relatively recent restoration has exposed it to a new generation of cinephiles.

It is a film that is impossible not to respect as it pushes the expected boundaries of cinema and stands out not just with its visuals but also with its score which stands out as a masterclass.