It’s an intriguing attempt to smash together a bunch of genres, and the deeper it gets, the more fun it becomes.

For viewers who never got enough of Thelma and Louise.

The ending has a payoff that’s satisfying, and Flanery nails the dark and twisted, retro crime thriller vibe, but overall this is a middle-of-the-road B-movie that borrows too heavily from better outlaw love story films that came before.

Though its star, Caylee Cowan, commands our attention with a confident performance that makes us want to see where she turns up next, her director, Sean Patrick Flanery, does not surround her with much.