How appellant the idea of a multiverse where the wavefunction collapse doesn't turn realities unreachable from the other quantum fluctuation results, in brief terms, referring to the "Many Worlds Theory" or the different view of Laura Mersini-Houghton. So the gods want, personna dream. As if the kraft happens, the series goes beyond the original work, admiringly well. The details, scenarios, characters. As a youngster I read mostly the twisted Philip K. Dick stories, those with bugs... Who knows how many, forty years ago? Not me.Heinlein or Le Guin, The Stars My Destination, the Heechee saga, Dorsai, even "old style space operas" by EE Doc Smith, Clifford Simak, to name a few, seemed to leave a clearer picture than Philip K. Dick which one must reread here and then considering the number of superb cinema and TV "Adaptations", too much to refer or choose one as "the best". Not a fan of dystopian literature or ordinary TV series. But nothing of ordinary is here at play and there are Utopian undeniable traces. Art, decadence, suffering and resilience, life at its fullest. Love, and the hero within each child to crown the cake. This work of distinguished direction, production, excellent acting and good pace, constitutes a good ensemble, rising the level and not defrauding our founded expectations. For personal reasons I usually expect the conclusion or at least two sequences and th…

# One of the best TV dramas in recent memory <b>First, a disclaimer:</b> I've not read Dicks' original version of <i>The Man in the High Castle</i>, nor do I intend to read it. I am judging the show entirely on its own merits, without any influence or critiquing related to the novel. ## On to the review! I'm going to keep this short and simple, so you don't have to read a shit-ton of stuff and so that I don't write any spoilers. Here's what you need to know: As a sci-fi story, <i>The Man in the High Castle</i> falls a bit short. The showrunners tried to wrap up the sci-fi bit at the end, but they did a pretty piss-poor job. Budget cuts? Rushed delivery? Who knows? Fortunately, the sci-fi aspect of this story isn't actually what makes it great. What makes <i>The Man in the High Castle</i> great storytelling and great television is the alt-history and the in-depth character story arcs; in particular, the story of the Smiths—the highest-ranking family in the Nazis' American Reich—is absolutely fantastic. In John and Helen Smith, we get to explore what it might have meant for regular Americans to throw their lots in with the Nazi Party had the Axis powers won WWII. Through dialogue and flashbacks, we get to see how joining the Nazi Party twisted both John and Helen into persons unrecognizable from their alt-world selves. Truly, the Smiths' story arc was easily my favorite, and…

So, the problem that we are facing with this is that the episodes exceed the story. It's the same problem that a LOT of television shows on streaming services suffer from. They have a few too many episodes for the story they are telling in the season. About 8 episodes per season and about 5 episodes of actual story. The result is so much filler that it seems to drag and not really accomplish anything of value. However, the story is interesting, as is the world that it is set in. Unlike A Handmaiden's Tale, or really, a lot of other shows, it doesn't feel like you are being lectured to. But it does feel like it dragged. All they needed to do was lesson the amount of episodes to fit the story, or add a subplot or two more and it would have been a killer show. Instead, the result is a good show that has been stretched until it's paper thin And then season 3 hit and what was good was replaced with woke messaging. And the lectures became nonstop.

"The Man in the High Castle" is a thought-provoking and mesmerizing series that explores an alternate history where the Axis Powers emerged victorious in World War II. With its impeccable storytelling, compelling characters, and meticulous attention to detail, this show stands as a true gem in the world of television. The series is a masterclass in world-building, taking viewers on a captivating journey through a dystopian America divided between the Greater Nazi Reich and the Japanese Pacific States. The painstakingly crafted sets, costumes, and props transport you into this chilling alternate reality, immersing you in a world where totalitarianism reigns supreme. What truly sets "The Man in the High Castle" apart is its ability to delve deep into the human psyche and explore the moral and ethical complexities of a world under fascist rule. The characters are multi-dimensional, each grappling with their own inner conflicts, secrets, and desires. The performances, particularly by Rufus Sewell, Alexa Davalos, and Cary-Hiroyuki Tagawa, are nothing short of exceptional, making you empathize with their struggles even in the darkest of circumstances. The show's narrative is a beautifully woven tapestry of espionage, resistance, and political intrigue. Every episode keeps you on the edge of your seat, with unexpected twists and turns that defy predictability. It tackles complex th…