Without a shadow of a doubt, THE finest political TV drama ever to come out of a studio! Despite its rather liberal happy-clappy perspective with most of its secondary storylines, TWW is exceptionally well-written and very rarely fails to deliver some rather thought-provoking episodes. I have had many boxset marathons with this show over the years, and I must admit my adulation for certain seasons has changed somewhat in that time. Back then I adored the first 4 seasons, while dismissing season 5 outright, and only having a grudging respect for seasons 6 & 7. But these days I much prefer 6&7 over 1, 3 and 4. No idea why but there you go! As for the acting, well other than Martin Sheen, Rob Lowe and John Spencer the first few seasons were a cast of relative unknowns, but come the middle of S1 it doesn't matter because the likes of Alison Janey's CJ, Bradley Whitford's wonderful Josh Lyman and Richard Schiff's brooding Toby Ziegler play their roles exceptionally well. Of course the greatest aspect of this show is the writing, especially for the first four seasons when Aaron Sorkin was directly involved. And even after he left under a cloud the writing for season 5 and beyond was still very good, if a little uneven. It has been awhile since I last picked up on this show. So come the winter months I might just snuggle down and enjoy the walk & talk with these guys once again.

If every program on TV was this good I'd never leave the house. I have to agree with the reviewers who call this the best drama show ever, at least for entertainment value. Of course, it gets panned often for political reasons by people who perhaps don't watch it enough to see that, yes, it is a liberal administration being represented here, but they often make mistakes and fail in their efforts, so it is hardly a progressive utopia. I write novels in my spare tome, and I like to think my dialogue is a strong point, so I have nothing but admiration for the fast and witty conversations in this show. You may literally have to watch the series a second time to catch everything thrown at you in their quick back and forth banter, often delivered as they pace around the West Wing set. But that is no hardship either. Much has been made about Aaron Sorkin's departure from the show, and perhaps there was a slight drop in quality because of it, but it was still well worth watching. It was so good, the new kids couldn't break it.

The first edition, indeed season, of this political drama is as good as it gets. Aaron Sorkin has created a monster - in just about every sense - and the cast led by Martin Sheen ("President Bartlet") consistently deliver well as the senior advisors in his administration - alongside some sadly infrequent appearances from his no-nonsense wife (Stockard Channing) - guide us through the daily trials and tribulations accompanying American government. For the most part, the pace is hectic, controlled (sometimes) by the calming, sagacious influence of his Chief of Staff "Leo" (John Spencer) and deals with just about every sort of scenario - domestic, foreign, familial and collegiate that comes across the paths of the Director of Communications (Richard Schiff), his deputy (Rob Lowe), the Press Secretary (Allison Janney) as well as "Josh Lyman" (Bradley Whitford) - the passionate but occasional liability that is the deputy Chief of Staff. Sorkin and the cast manage, effortlessly, to create a series of scenarios that reminded me of both "Yes, Minister" and the original (British) "House of Cards" - comedy and humour expertly mixed with politicking on a grand, yet personal, scale. Nothing is off limits insofar as the subjects covered and it presents as authentic a depiction of government as we are ever likely to see. Personally, I though Stockard Channing added loads to this as the First…

Pepa the Pig for Adult Liberals. Or maybe, "Mickey Mouse Takes Office." I can't decide. Perhaps I'm hyper sensitive, having been what equates to an American liberal for most of my life (I'm Danish, and here being liberal puts you on the right, but I've been a lefty for more than forty years), but trying to watch this show instantly fatigues me. Not because of the acting, which is above average, the dialog, which is well-written if overly verbose, not even the stories, which seem implausible but entertaining, and this IS fiction, so you need to allow for unrealistic and entertaining things happening 24/7. Otherwise it'd get boring. No, what drains my energy is the way it treats me as a mental toddler. It's the way the resentment for people with opposing views (conservatives, religious people, etc.) is matched only by the self-righteousness and the conviction of having the moral high ground and superior intelligence. The ease with which people are divided into moral and immoral boxes based on their religious views, political affiliation, or even demography. And isn't it nice, because we all agree that religious zealots are terrible, right? That conservatives are immoral, right? That Texans are stupid, right? Lucky we have our club, where we're educated, virtuous and bearers of The Right Morals™. Episode one present a religiously based conflict that is so overly constructed th…