I had thought about reading the novel before watching this series, but I did a quick inventory of how many books I have lined up to read and decided to go ahead and watch it. Overall I found this futuristic film to be entertaining. It follows a detective trying to solve a mystery in what is truly a unique setting for a mystery, in a city that shares part of its space with a sister city, almost like in a parallel universe. And there are rumors and traces of a further utopian place accessed in this shared city-space. Yes, it is strange stuff, intriguing, but at times unsatisfying. A few of the characters were two-dimensional or without much depth to them and elements of the plot brought Orwell's "1984" to mind, but considering the complexity of the story, I thought they did a credible job presenting it so I could follow it. I won't give away any of the plot points here, and that restricts my description, but I will say that there was a moment near the end where I thought they were going with an ending that would not have felt real or satisfying. But they veered slightly away from it and I felt better about it. Not one of my favorites, but such an innovative plot that I am glad Imtook the time to watch it.

**A great idea buried under bad writing and tired TV tropes** I started watching this because, despite hating the book, the core concept is brilliant. Two cities occupying the same physical space, separated not by walls but by perception, social conditioning, and the act of “unseeing” is a fantastic idea. It is rich with possibilities. Sadly, the book squandered that idea, and somehow the TV show manages to squander it even harder. The thing that annoyed me most about the book was that Miéville came up with a great concept, then did not seem to bother thinking through the implications of it. The show falls into the exact same trap, but then adds a load of generic TV nonsense on top. Characters constantly say things for the benefit of the viewer that make little or no sense in-world. I know what the dialogue is doing. The point is that it is doing it badly. People who grew up in these cities should not need basic things explained to them as if they are tourists. The show does this again and again, and it gets more annoying every time. The Orciny dialogue is a good example. Characters keep asking whether Borlú has heard of Orciny, but if Orciny is meant to be a familiar local myth, that is like asking somebody from Britain if they have ever heard of King Arthur. Of course they have. The question should not be whether he has heard of it, but whether he believes in it. It does…

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