There's no tension as to where things are going to end up, the final images leaving me cold.

Give it up for "Paradise Hills" for swinging for the fences when it comes to bat-bleep crazy.

A disappointingly half-baked riff on The Stepford Wives whose brand of feminism feels more 1970s than 2010s.

The performances (and the cinematic world) are so inventive that while the plot doesn’t take the same risks, one can’t help but wonder how Waddington might reinvigorate other science fiction narratives with her fairy tale stylings.